Kenneth Zak is the author of The Poet’s Secret:
In The Poet’s Secret, Elia Aloundra, a young lit student, sees the reclusive poet Cameron Beck recite a poem at a campus pub before he vanishes—for a second time. Ten years earlier, Beck had dropped from the public eye, leaving only an acclaimed collection of odes to an anonymous muse and a decade of speculation over his disappearance.
Elia sets off in search of Beck, longing to know the man whose words have moved her so, hoping perhaps the ghost poet will unveil the secret to eternal love. What she doesn’t know is that as her quest begins, Beck is perched atop a cliff on a remote Caribbean island and about to attempt suicide. As Elia faces off with Beck’s protective circle on the exotic island hideaway, the same island where decades earlier a Spanish shipwreck entombing mystical Aztec relics was found, she finds herself swept up in the mystery of the muse. What Elia cannot fathom is that Beck’s secret will change both their lives forever.
Read on for Kennth Zak’s interview.
Q. What was the inspiration for The Poet’s Secret?
A. At the time I wrote The Poet’s Secret, I was on a personal pilgrimage. I essentially took a threeyear sabbatical, sort of an adult “time out,” and embarked on a new path. I dedicated myself to explore the meaning of life and love and particularly the arc of passion. I became consumed by the idea of living in the present, honoring the “now” as the only real moment in time, the only authentic eternity, which allowed me to both disconnect and connect like never before and let go of the constructs of past and future as fictions created by the mind. I gained a new appreciation for relatively brief moments and encounters as having potentially profound effects. I was living abroad, reading, writing, surfing and slowing down my existence.
The tale that became The Poet’s Secret was conceived in a hovel perched atop a onetable taverna in the hillside village of Avdou, just a scooter ride from the blue waters of the Aegean Sea on the island of Crete. I was sequestered alone, halfway around the world from my home, and recovering from a life, and a relationship, that had left me hollow, or at least I thought at the time. But it turned out words kept flowing out of me, first in raw, chunky verse that faintly resembled poetry and then in images and scenes that bore an even fainter resemblance to a novel. For months I wrote, swam in healing waters and disappeared into this remote, antiquated Greek village. I had never done anything like that before, but at the time it was the only existence that made any sense.
So many miracles happened during those months. I experienced a cleansing, a healing and an awakening, and I began to perceive light and water and imagery and words and the souls around me like never before. I eventually returned to California, and then traveled to Bali, Mexico, Costa Rica, Thailand, Cambodia and South America, following the sea and surf with laptop in hand and continuing to write. The backstory to writing The Poet’s Secret is a story in itself.
Q. How did you select the locations for the novel?
A. It was tempting to set the bulk of the novel in Greece, a country I adore. However, as the story evolved the compass for the island setting spun toward the West Indies, and the story’s life raft washed ashore on the fictional island of Mataki. I was fortunate to spend a good part of my sabbatical on tropical islands and coastal villages that certainly informed the setting. As for the early campus setting, I based it on a fictionalized version of my beloved alma mater, The Ohio State University.
Q. The novel is filled with excerpts of poetry, which came first, the poetry or the narrative arc?
A. Most of the poetry was written before any narrative took form. The poetry came in often painful and soulsearching flourishes, and then was revised over time. There is a line in The Poet’s Secret where Dean Baltutis refers to the poet’s inspiration being “survival.” That is precisely how it felt at times. I also wanted to combine both poetry and prose into one novel and attempt to slow down the reader a bit at the beginning of each chapter to contemplate and absorb the poetry, to be in that moment so to speak, before continuing on the narrative journey.
Q. Water imagery is abundant throughout the novel, what is the particular connection for you with water and particularly with respect to this novel?
A. I was thrown onto a swim team at age 8 even before I passed beginners swim lessons (I was terrible at the back float). But water soon became my life and in many ways my salvation. Throughout my youth I swam, played water polo, lifeguarded and hung around Lake Erie in northeastern Ohio. Somehow, I didn’t even see an ocean until I was 18. But I recall climbing out of the backseat of a Datsun 210 hatchback (or what they claimed to be a backseat) after driving for twentytwo hours to Ft. Lauderdale for spring break and telling my college buddies to just pick me up in a few hours. I was mesmerized. I sprinted into the Atlantic Ocean and swam and bodysurfed until dark. Today, I surf or swim almost every day. I feel like I am about eighty percent water, the remaining twenty percent made up mostly of curiosity and mischief.
Much of the water in the universe is said to be a byproduct of star formation. I’m no scientist, but I like the way that sounds. Because when I look up at the night stars it feels a lot like gazing west an hour before the sun dips into the sea, at least at my secret little spot by the water. Flickering diamonds scatter everywhere along the surface, and if I squint just right, I forget the sea is even there. Instead, it looks like a galaxy of stars shimmering right into me, washing across my heart, reflecting off my smile and filling me with the belief that I can just float away into the universe. So I often do.
Spiritually, water often represents purification and healing. To me, water represents so many things, perhaps most importantly love and life and the sacred feminine. I once nearly died underwater while surfing in Uluwatu, a place few have ever heard of and even fewer have visited. But I know on so many occasions water has saved me, water has healed me, and water has reset my compass when I have been spinning in some uncontrollable vortex. So for me, my life and my love seem to be tied to returning to the great aquatic source, again and again, maybe just to fill the chasm that still exists in me, and maybe to some degree still exists in all of us.
I have been fortunate to swim with sea turtles and dolphins in the wild on many occasions. When I stare into the eyes of a sea turtle or a dolphin I cannot help but believe that they understand this great aquatic connection, a connection beyond humanity, beyond species, beyond even the stars. So when I am writing about passion, heartbreak, healing, life and love, it is only natural for me to write in a particularly aquatic language and style.
Q. How did your professional career as an attorney influence your writing and how do you balance the two careers?
A. I think practicing law actually spurred my interest in creative writing. While I was in private practice, I felt constrained by the form restrictions requisite within the legal profession. I also felt a lot of legal writing often served more to obfuscate than illuminate and writing poetry and fiction allowed me the freedom to explore and express myself in a different medium. The Poet’s Secret is not “another lawyer’s courtroom thriller” in any respect, nor am I particularly drawn to that genre since I’ve lived it. Nonetheless, my legal career (now as General Counsel for a large private brokerage company) is both fascinating and challenging. I draw some inspiration from the poet Wallace Stevens who for years continued his vibrant writing career while an executive for an insurance company. As far as balance goes, my evenings and weekends are spent around the keyboard as much as possible.
Q. Talk about your involvement with 1% for the Planet and The Surfrider Foundation.
A. Perhaps only a poet would give away money before it is even earned, but that is what I felt compelled to do given my love of the ocean and conservation causes. In addition to ocean swimming, free diving and water polo, I have been an avid surfer for nearly two decades and have surfed around the world. Subtle conservation themes are laced through The Poet’s Secret, but my love of the ocean and our planet is anything but subtle. I hope to leave this world and particularly our oceans better than I found them. Penju Publishing’s membership with 1% For the Planet and my pledged donations to The Surfrider Foundation are an effort to spread awareness, give back and pay it forward.
Born in Parma, Ohio, Kenneth Zak is an aquatic nomad of Bohemian-Polish ancestry. As a lad, he dove into Lake Erie in search of a silver coin. Decades later, he surfaced off the island of Crete with a tale filled with mystical sea turtles, sunken treasure and a young woman’s search for a reclusive poet, his muse and the myth of eternal love.
A summa cum laude graduate of The Ohio State University with a Bachelor of Science in Business and special interest in Art History, Zak went on to receive his Juris Doctor and follow the waves to California. He eventually shut down a successful law practice in quest of a deeper purpose, freeing his creative self in a mountaintop village in Crete where he began his debut novel, The Poet’s Secret, continuing work on the manuscript and his poetry in Bali, Costa Rica, Thailand, Cambodia and South America.
An avid surfer and free diver, Ken’s passions also include reading, music, ocean swimming, the Tibetan Rites and yoga. He currently serves as General Counsel for a large private brokerage company and resides in San Diego, California. Learn more at www.kennethzak.com.
